Life
Phaedrus is traditionally said to be a Thracian slave who flourished in the first half of the first century CE. His exact dates of birth and death are unknown, but by 31 CE, when the third book of his Fabellae Aesopiae was written, he claims to be near old age. By his own admission, he was born in Pieria, Macedonia, but left for Rome at an early age, having also mentioned reading Ennius as a child (which presumes a Roman education).
It is uncertain whether Phaedrus ever became a Roman citizen, though the manuscripts call him libertus Augusti (freedman of Augustus); his dedications were to the freedman Particulo and Eutychus. Some have tried to identify Eutychus with Caligula’s favorite charioteer, though this is mere speculation.
In the prologue to the third book of his Fabellae, Phaedrus writes that he did something to displease Sejanus, that he had somehow offended him, and was punished it. Whatever he did, it was not serious enough to keep him from writing.
Works
His only surviving work, and perhaps his only work, was the Fabellae Aesopiae (“Aesopic Fables”). In the prologue to the first book, Phaedrus writes that he takes what Aesop authored and turns it into iambic senarii. In the prologue to the fourth and fifth books, he writes that he has returned from retirement to write more, that the poems from these books are not actually from Aesop, but merely in the tradition of Aesop:
Quas Aesopias, non Aesopi, nomino,
Quia paucas ille ostendit, ego plures fero,
Usus vetusto genere, sed rebus novis.
I name these Aesopic, not of Aesop,
Since he offered few, but I many,
Using an old style, but with new topics.
Legacy
Phaedrus appears to have a high opinion of himself, as shown from the prologue to the third book, in which he says that posterity will delight in his verses, and from the prologue to the fourth and fifth books, in which he says that he took up writing again lest anyone else try their hand at it. This in itself is not an unusual remark for poets.
There is debate about Phaedrus’ contemporary reception. Seneca mentions that “Aesopic fables were untried by Roman talent” (Ad Polyb. 8.3); Quintilian never names him, though he does remark (Inst. Orat. 1.9.2ff.) that composing material from Aesop’s fables was an exercise for students.
Phaedrus Online
Latin: PHI Latin Texts
English: 18th century prose translation by Christopher Smart
